Seven entries written between 10/02/2026 and 13/08/2026. The year opens on the question that comes
before every other one, whether to licence a shot or go and film it. The spring was then spent on
sources and money: where archive material is actually held, and why the same clip carries different
prices on different days. From May onward the subject shifts to method, briefing a researcher,
choosing between suppliers, getting results out of a catalogue, and finally to what all of it is for
in the edit.
The clip fee against the day rate is the wrong comparison. What each side really carries, the four cases where a shoot cannot compete, and the reuse question that settles the rest.